Nasty Language

alphabet

Last Sunday, about one hundred of us got comfortable on the floor of the Boston Public Library, because they are finally letting us move in and live there. Kidding. We were outside the downstairs lecture hall, already full ten minutes after opening, for the Writers Resist Event. Organized here by PEN New England, a diverse group of writers spoke up and shared Creative Work. We were all there to resist fear, intolerance, indifference to social/environmental justice, and anything else that felt important.

Talk about being creative in a brimming-over world. Young people read poems about other young people, injustice, and hope. Someone read poems by a political prisoner incarcerated for his views. Writers quoted others writers who gave them ground under their feet. One that stuck I will half-quote and half-paraphrase, with apologies to James Baldwin, because I want to share what I remember. He said that to Love means taking off our masks, the ones we don’t feel safe without, the ones we can’t live within. That was Love facing off against fear, no pun intended. Well, I did intend it. You know that.

And the friend I was with did it, there on the floor, in a moment of Creativity. She’s a writer and an environmental activist, and she mused and fused those two things together. We need another language, she suddenly said to me, to talk about what we’re doing. We always use the vocabulary of battle: the fight and struggle for the environment. There was a stillness and a vulnerability in her face as I leaned close to hear her. She said, as if seeing something in the glare of a bare bulb, we need new words. I asked if she meant words like love for the planet and care for one another.  She nodded, but we both think of words pretty easily, and nothing had been answered by that. But she took off her mask and willingly let go of familiar, empowering language, and she looked into that empty space where the work needs to be done. She was willing to unmask and look at it. An act of language and an act of love.

And last week I had a long talk over coffee with another friend, a painter, a person as gentle as grass and as resilient as stone. The whole question of What Do We Do Now came up, and he asked how we escape feeling inadequate in these days. My other friend had just showed me the power of showing her face, of being present. I guess we need to Practice adequacy as people and Artists: do the work in front of us to do. That work is probably going to be dire, difficult, and absolutely essential.

Not knowing What To Do signifies Attention, not inadequacy. As a teacher I love suggests, be steadfast, even when it doesn’t feel adequate. Show your face. Your Creative Work is one of your voices. Tomorrow many of us will be gathering, Marching, and speaking up. We have to Act in numbers, as One. But I find I believe in the small daily stuff a lot right now, whether Creativity or Kindness. We need to find the “languages” that let us, and help others, keep going.

 

Shriek and Spit

Yes, 2017 is here, and like some, I’ve been troubled by what exactly I’m doing with this blog in this world. When I gave you my elevator pitch of “being creative in a brimming-over world,” I had little idea what kind of Brimming Over was brewing. I don’t want to be pithy here, and I’m having trouble finding a new, significant way to say it’s time for Artists to make sure they are present, because every act of love, connection, and clarity counts. But if I can start this blog up again, then I think I Mean it.

As poet Elizabeth Alexander wrote for another Inauguration Day eight years ago:

“In today’s sharp sparkle, this winter air,/anything can be made, any sentence begun.”

To get started again, I’m going back to some pure, basic lessons in Creativity I learned from the wisest of the wise. I encountered both these Amazing Creatives by accident, at different times, and was fortunate to witness their work. I don’t know their names, but I think they were both two, maybe three, years old. You thought that “Shriek and Spit” title was some sort of metaphor, didn’t you? Nope.

The first Teacher crossed my path in the central atrium of the Boston Public Library. Four stories high, it was once a cavern that matched the rest of the plain, concrete-is-king-era architecture. It was fine. Now that the big Renovation is complete, and the library around it is badass (but cozy) red and purple, the atrium has become a wonder of soaring simplicity. Suddenly I find it irresistible, but unlike my Wise Teacher in the stroller that day, I didn’t know what to do with it. He/she/they did. (Yeah, I don’t even know.) Right in the middle, and the kid waited for it like the master he/she/they was, out came, through a wide smile, one perfect, Loud, high-pitched, single note of air-slicing shriek. And it flew upward and echoed like the work of art it was. The kid knew it would, and the little face glowed with pure joy and smug triumph. Like any artist. Then the stroller-pushing adult said, “Ssshhhhh!” Really.

The second Teacher I met in hot sunshine, while meditating in the middle of Boston with Thich Nhat Hanh (yes, I DID) and several hundred other cross-legged people. A couple in front of me had a wee girl, standing behind them and doing Her Own Thing, oblivious to the mob of silent adults around her. She had realized that if you gather enough saliva, lean over a little, and go carefully, you can release a long, long string of spit that reaches the ground, if you are rather small and a total Master of your Art. I was fascinated. I couldn’t help it. It was great. And I couldn’t help noticing her steady, perfect concentration as she just did the thing she was doing, present to her moment, creating her gleaming thread. Simply enjoying herself, she had gone, naturally and completely, somewhere every adult there was practicing to reach.

It’s important for CPTs to remember that Creativity can burst or flow out of simple moments of openness and attention, and right now, every moment like that counts. So whether it’s mouths, hands, or whole bodies, keyboards, canvasses, cameras, kitchens, kilns, stages or streets…shriek, spit, and speak!

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