Since a number of Creative people spent Sunday night thanking other Creative people for their contribution to whatever the first Creative people accomplished, I’d like to do the same.
Since I mentioned the many designers and foragers whose books inspire me, I thought to list them here. It’s by no means all of them: Turns out the Boston Public Library doesn’t like it much when you take down a whole shelf of books and park on the carpet right there. The ones I own, and some of the ones I love, are:
You know, I literally have five more days of Poetry and Decorating Month, so don’t rush me.
I have seen segments of the British Antiques Roadshow with a host, three similar objects, and an expert in those particular objects. The host and surrounding onlookers try to figure out which object has the highest monetary value. All the objects are aesthetic delights.
I told my friend Sandy (link to her blog post about my blog) that I would post during Decorating Month about the bone we pick with the Boston Globe Sunday magazine “home” features. The theme of our rants is simple: How to Decorate Big Space with Big Money is of little use to a lot of us.
Frankly, I love looking at “real estate porn”, and most simple/edgy/boho/unusual home design fascinates me. I am also a fan of Marni Elyse Katz, who writes these features now. She’s good!
My own object/decor jam is more thrift, gift, and foraging. People write about that, too. I have six books on the topic and counting, and they’re mostly second-hand. And I practice. My glass square that came from an old job when they closed contains a highly curated collection of park tree branches, pond driftwood, and a stick I grabbed out of a community garden compost area. I mean, this thing is curated. It’s an arrrrrrangement.
I have framed book covers, book pages, and postcards on the wall. The pleasing display above my desk contains a thrift-store glass cylinder of stones and shells in colorful layers, a birch log, two ocean stones, a framed collage I made from a beat-up book, and the fired clay figure I made in Sunday School crafts class, who vaguely resembles Buddha in a beret. This is how I roll, and a lot of interesting authors have encouraged my roll.
So let’s play the Roadshow game and decide what is my most valuable work of art in the photo. If the Ansel Adams were the real deal, then yeah. But it’s posterboard in a frame, and someone left it in the building when they moved out. So it cost me nothing, but it is full of value. First thing I hung in this apartment, it connects me to the tree outside, and my gaze often wanders into its deepness when my gaze needs to wander.
The one on the right is a print of King’s Chapel, the wonderful 18th-century historic site where I used to work and hope to work again. It’s likely from a re-issue the artist’s son did in the 1970s. I know this because artist Jas Murray did a lot of local scenes and still seems to be very popular. I found it in a charity shop, hanging there waiting for me, which I’m sure is what it was doing. It fills my heart up every day, like a lover’s portrait.
The piece on the left is by artist and parfumier John Biebel. The pensive woman carries a long-stemmed flower and has a lovely old home growing out of her head. It was gift to me from my friend John. I find it exquisite and inspiring, and it represents the generous kindness of a friend I love.
Cost winner? King’s Chapel at $6. Value winner? Nope. Each one is beautiful to me, makes me happy when I look at it, surrounds me with Creativity. The Creative finding of Creative things is decor my way.
What could I love more, or want more to blog about, than a thoughtful, informed, ecstatic appreciation of Creativity, that is itself a gorgeous piece of Creativity?
Past readers will know that I have blogged in response to Olivia Rutigliano, who had ranked 45 detective sidekicks. I blogged because I heartily agreed and disagreed with OR. Now she has created a ranking of 100 Sherlock Holmes portrayals on screen, and I would buy this woman a fancy coffee every day for the rest of our lives.
Now click on this!
Her criteria, her observations, her enthusiasm, and her voice make this about as much fun as a Sherlock Holmes fan can possibly have. (Except me. I got to make out with him.)
I thank her, among other things:
for offering me new films, shows, and sketches to watch
for her continued and correct admiration for The Great Mouse Detective and for mentioning Vincent Price
for going into the past, going international, and going multi-species (Yay, Wishbone!)
for liking Murder by Decree, for loving Christopher Lee, and for knowing Ian Richardson also played Dr. Bell
for FINALLY helping me understand my long-standing visceral problem with the lovely and talented actor James D’Arcy. It is NOT his fault, but yeah, he WAS totally the guy I was trapped in literary theory seminars with. There it is. Not his fault, not my fault: Academia’s fault. As it usually winds up being.
Anyway, the only thing I can offer her in return for this Gigantic List are two tips: OR, if you haven’t, as your review suggests, actually watched the Matt Frewer Hound, you might just want… tonotwatchit. Also, if you enjoyed Richardson as Bell, have you seen Arthur and George, I believe also on Masterpiece? Conan Doyle’s (Martin Clunes) secretary Woodie is played by Charles Edwards, who played Doyle to Richardson’s Bell.
Jack-o-lanterns and, um, dismemberment. Winged skulls on gravestones and scones on strings. My October Creativity has been much focused on writing spooky history fun facts and trivia questions for this virtual event.
As sorry as I am that the historic site’s candlelit crypt tours could not happen this year, the first trivia night was a real hoot. Hoot…owl…Halloween…RIGHT? It was so good, I was sorry you all missed it.
The second and final event is tonight. If you’re looking for a new Halloween activity please join us. Play to win, or just enjoy the fun facts and scary stuff in good company. You will be supporting one of the many non-profit cultural institutions knocked hard by this murder hornet of a year. And it’s a piece of Creativity I’m proud of!
as landscape begins
to change. Or that
is just eyes
to gritty air.
do the encircling,
shines or clears
ripples, swans’ feet.
Pass a wine-stained,
winding a tree,
a potion. Yes
and no. Leaves
not the pacing
of minds. Sit
on a stone
by water. Pick up
with its dark
Hear the greens
you. Pond wind
cold coming fire.
for SD and Pond St.
Some intentional choice
of particular flowers
and hanging containers
of sweet good will
The one that visits
my friend’s deck outlined
in temptation beautifully
lives in flickers,
feeds itself in glimpses.
In an abundant garden
I walk past, there hovers
feather-bright metal art,
the hummingbird god itself,
with long-toothed, triumphant
wings lifted over its earth,
where summer mauve
coneflowers darken into
their own gold-brown eyes,
and blue hydrangeas crackle.
This bird must hold all
my friend’s small gem left
behind in flight, the price
of bearing seasoned witness
from the formal border of time.
I do not know the name of the artist featured throughout this wonderful garden, but I’m a fan.
Nuances of shape and color when the summer pinks fade are just as beautiful as the variations of autumn colors arriving. Flow out, flow in. Nature offers changing Creative gifts, and we offer our attention in return.
Photos by Me.
With sincere thanks to the gardeners of Pond Street in Jamaica Plain, MA for the artistry of their abundant gardens and their wish that passersby have pleasure.
After a six-day heat wave, any thoughts for an essay-like post are bobbing around my head like semi-cooked pasta. But the poetry is enough of a practice to have things to share.
I think these are two parents and their two fledgling cormorants at Jamaica Pond (Boston), and I’m always thankful to have them in my day. This poem was inspired by a beautiful online-gathering talk “at” the Greater Boston Zen Center.
One of the few words I ban in my students’ writing is “amazing” because we often use it vaguely, to say not a lot. Unless, I tell them, you look it up and have been literally amazed, don’t go near it.
The online dictionary says it means “causing…wonder; astonishing”. It isn’t how they feel about most of the stuff I assign them to read, I promise you. But it IS how I feel about this video on the amazing creation of this mask by my friend kest schwartzman.
Sure, I want to promote artists in these precarious times. But I was riveted watching kest work. And not smash their fingers. And work some more. The beauty and Creative drama will carry you happily through, so please enjoy “Forged Copper Mask”.
Seriously, watch the video. So groovy.
When I took these photos, I was doing an exercise in Looking at the familiar objects in the historic site where I work. There was a quiet 30 minutes one day last winter, and I decided to pay closer attention to the sculptures and memorials on the walls. Not to the people they remembered, but to perfect stone ivy leaves or rich abstract designs. Each pointing to someone’s artistry, time, and focus.
That experience is a cliché you could read in a thousand blogs, right? So I’m not going to write about slowing down, being mindful, observing the present world, feeling appreciation, or any of that.
I’m also not going to offer this stone only as rarefied beauty in an historic church. I do find this work beautiful, and I miss being near it this spring. My heart does find Creativity sacred. But like much art, this art exists because of past financial privilege and white privilege, and sometimes that privilege existed because of the organized kidnapping and labor of enslaved people. It’s information the site shares with visitors as part of its History Program.
This is one of the longest periods the building has remained empty since 1754, and right now it might seem to have its own closed-off existence. But it doesn’t exist outside the world, and it holds a lot to Look At. Beautiful and otherwise, sometimes at the same time.
By the way, please visit King’s Chapel in Boston, with its fascinating, difficult history and remarkable building, at the History Program’s pandemic-expanded web site. We’ve worked hard on it and hope you will explore. When the building is open again, please visit in person. We have a lot to share.